Generally
I like the idea of dividing academic labor up so I can read the theory I like and
apply it to things I don’t (“symptoms” of a damaged world). But these days,
that division is breaking down, and some of the hip “new” theories are creeping
disconcertingly into the symptomatic realm. In particular, some recent work on “object
oriented ontology” and new materialism leaves me trying to figure out why those
whose critical commitments I share might find them interesting or useful.
The problem
is not so much how to work out the theory, but to make sense of its uptake. The
more I engage with this work – and, I’m not sure how much more time I really
want to spend on it – the more it looks to me like a close relative of the enthusiasm
over data mining and the forms of “knowledge” it generates. The logics align
with one another – post-narratival, post-subjective, post-human – even though
the sensibilities are ostensibly opposed. The following is a bit of a rant that
emerged as a by-product of an offer to collaborate on a review of Ian Bogost’s Alien Phenomenology, a symptomatic book
if ever there was one. The invitation meant having to read the book, which I found largely a frustrating endeavor, as evidenced by the following observations (all citations are from the book, which I read on Kindle without pagination):
Ian
Bogost’s paean to the pleasures of the great outdoors – the “grassy meadows of
the material world” casts poor old Immanuel Kant in the role of the
stereotypical video gamer tethered to the tube.
It is hard not to hear in Bogost’s call to flee the “rot of Kant” seeping
from the “dank halls of the mind’s prison” the all-too-familiar admonition to
video game geeks to “get out of the house.” Perhaps this is a call Bogost has
heard so frequently that he has internalized it sufficiently to wield it
against others: the call of the great outdoors is a recurring refrain in his
celebration of the mysteries of the object world – primarily and paradoxically
incarnated for him in the form of high-tech electronics: digital cameras,
computer games, and cathode ray tubes. “Let’s go outside and dig in the dirt”
he enjoins us, but only metaphorically, really.
In
a sense, the entire book is a rejoinder to the call to get out of the house: “I’m already
outside -- that’s where I’ve been all along.” Bogost’s interpretation of what,
following Meillassoux he calls “correlationism” (which he equates with seeing
things through the lens of how they impact humans) pits him firmly against any
attempt at developing an analysis that “still serves the interest of human
politics” (a charge he levels at Latour for not being anti-correlationalist
enough). But this opposition runs
headlong into the repeated theme of his urgent (though largely unexplained)
claim that “to proceed as a philosopher today demands the rejection of
correlationalism”: we need to get outside and romp in the “grassy meadows” so
we can collect the “iridescent shells” of realism and so on. If we chose to do
so because it turned out to be good for us, of course, we would have succumbed
to the trap of correlationism. Even animal studies is too anthropocentric for
Bogost’s tastes because, “we find a focus on creatures from the vantage point
of human intersubjectivity, rather than from the weird, murky, mists of the
really real” – what we might otherwise describe as “the view from nowhere.” Much
the same goes for Michael Pollan’s attempt at a “plant’s eye view of the world”
– for “he too seeks to valorize the apple or the potato only to mobilize them
in critiques of the human practices of horticulture, nutrition, and
industrialism.”
We get the message: any perspective that is in any way
articulated to a human interest is ruled out in advance. There is something disconcertingly incoherent
about the Bogost two-step: step one is the unquestioned assumption that we might “wish to understand a
microcomputer or a mountain range or a radio astronomy observatory or a
thermonuclear weapon or a capsaicinoid [he apparently loves peppers] on its own
terms.” Step two rules out the appeal to a subject who might wish to do
something like this. He writes off science studies, for example, for retaining
“some human agent at the center of the analysis.” OK, we get the point, Bogost
wants to think about really thingy
things and not those other things called human scientists or engineers. But it’s pretty clear that what’s driving the
whole show is the desire on the part of humans to experience things as things
(other than human things) – even if this desire is anthropomorphically
projected upon (non-human) things.
And
so we are left with the thorny question of why such a perspective might be
interesting. The philosopher Theodor Adorno neatly described the dialectic of
autonomy: a fantasy of independence combined with the utterly irrational form
this had taken. For Adorno, the autonomous artwork rehearsed capitalism’s crazy
(aestheticized) embrace of production for production’s sake. What is left but
to read Bogost’s injunction along the same lines: theory for the sake of
everything and thus for nothing. It is a pure position, perhaps too pure,
insofar as it does little to interrogate the goal of purity itself. The result
is that the argument’s normative framing takes the form of recurring and somewhat
mysterious demands on the reader: “the heroin spoon demands as much intrigue as
the institutional dysfunctions that intersect it.” Why? To whom? These are
questions that go unanswered – or perhaps such demands are only available to
those who hear them, which poses a challenge for any attempt to impose them on
the rest of us.
In the book’s conclusion, Bogost briefly nods towards Levi
Bryant’s claim that Object Oriented Ontology envisions “a new sort of humanism”
in which “humans will be liberated from the crushing correlational system.” But
after the wholesale dismissal of any attempt to frame his approach in terms
that serve human interests, it’s difficult to buy into this meta-correlational
gesture: the claim that we should surpass the attempt to relate knowledge to human
interests, because it might be in our interest to do so (!?). Bogost slips this
in so close to the final downhill run toward the blissful prospect of his
argument’s end, that the reader’s tendency is to just coast though it rather
than to give it the double-take it deserves. He follows with an explanation
that sounds a bit more like the one that characterizes his own affinity for the
extra-human – the “bored consumer” rationale: “Just as eating only oysters
becomes gastronomically monotonous, so talking only about human behavior
becomes intellectually monotonous.” This is not a particularly rare claim in
some circles of the humanities, although one wonders just how widely
distributed is the subject position that would take it as the most compelling
reason to embrace a shiny new, if somewhat nonsensical perspective: a kind of
intellectual ennui in search of the next big thing. Such a stance is surely
associated with the somewhat sheltered subject position of gastronomic satiety,
or surfeit. There is a certain luxury or self-anesthesis associated with the
charge that thinking about humans and their problems is just a tad dreary. (“Why
is it that one’s disregard for laundry, blogs, or elliptical trainers entails
only metaphorical negligence,” Bogost asks, “while one’s neglect of cats,
vagrants, or herb gardens is allowed the full burden of general disregard?”).
It
is telling that Bogost’s ostensibly random lists of beings in the object world so
often emphasize interesting sounding objects and words, both technical and
natural. He lures the reader with bright, shiny, and mysteriously magical
objects: “the obsidian fragment, the gypsum crystal, and the propane flame”
(these are a few of his favorite things: musket buckshot, gypsum, and space shuttles, redwoods, lichen
and salamanders, Erlenmeyer flasks, rubber tired Metro rolling stock, the
unicorn and the combine harvester, the color red and methyl alcohol, mountain
summits and gypsum beds, chile roasters and buckshot, microprocessors, Harry
Potter, keynote speeches, single-malt scotch, Land Rovers, lychee fruit, love
affairs, asphalt sealcoat, and appletinis). We don’t hear much about toxic
waste or shit stains (surely, the shit stain, too, demands to be understood on its own terms). The object world is by definition an intricately rich and
edifying one compared to that nasty, dank world of our own mind – an object
still, to be sure -- but not so salubrious or interesting as the grassy meadows, iridescent shores and
scoria cones. If “everything exists equally” for Bogost, some things clearly
exist more equally than others.
Conspicuously
absent from Bogost’s account is any explanation as to why being a philosopher today demands the rejection of what he
terms correlationism. From what position is this demand made? Surely, given his
round denunciation of “correlationalist” tendencies it cannot be made on the
basis of anything having to do with us humans (despite the supposed benefits of
escaping the dank prison of our minds). Such a perspective is ruled out in
advance by the hubris-slaying, egotism-deflating thrust of
anti-correlationalism. Is the demand,
then, made from the perspective of truth,
based on the claim that this way of thinking accurately reflects the way things
are for everything, everywhere,
forever and therefore we must adjust our
own way of thinking to match the world (damn you, correlationism! Back again!).
Well, why? What claim does reality have on us in Bogost’s universe? Perhaps the claim is less a normative one (we
should adopt the stance of
anti-correlationalism) than a descriptive one: inevitably we will come to think
this way thanks to the predictable and inexorable flow of certain types of
entities called thoughts (and the claim exerted upon them by other beings).
Such a perspective would embrace not a “new” materialism but the very oldest.
The use of the word “must” would imply not an injunction but an inevitability:
we must embrace object oriented
ontology the way a stone in the earth’s gravitational field must, absent any
obstruction, fall to the ground. Such a
formulation would certainly obviate the need for any kind of manifesto – (“a
specter is haunting the object world: the specter of gravity!”).
After
ditching this book several times for failing to pass the basic
coherence-of-thought test, I came to the realization that it is modeled much
like the things it describes: unable to truly interact with other beings (like
me), it simply recedes infinitely into itself. How else to understand
statements like, “The construction and behavior of a computer system might
interest engineers who wish to optimize or improve it, but rarely for the sake
of understanding the machine itself, as if it were a buttercup or a soufflé.” He
seems to be making an aesthetic point
(along the lines of Kant, that dankest of thinkers): that his proposed way of understanding
a buttercup is different from figuring out how a computer works because it is
an apparently disinterested understanding – and emphatically not one that
reflects what Kant described (realizing a certain logical necessity) as a
disinterested interest. Once again,
any sign of interest on our part runs the risk of channeling us back into a
retrograde correlationism.
It
is not surprising that one of the paradigmatic examples of the wonders of “the
list” world invoked by Bogost is that of Roland Barthes’s like and dislikes,
taken from his autobiography. Ontography, Bogost style, takes the form of the
database, and what is more characteristic of the database in its current
market-driven configuration than the preference list? Facebookers with their endless “likes”
rehearse this list-building activity, as do databases of purchases, search
terms and so on. IBM tells us that various digital sensors of all kinds gather
the equivalent of 4,000 Libraries of Congress worth of data a day. But these
are not books, poems, maps, plays, biographies, etc. Rather the data comes in
the form of list-like collections in which the human and nonhuman mingle with
the promiscuous abandon celebrated by Bogost:
credit card purchases, airline seating preferences, underground tremors,
EZ Pass records, atmospheric pressure, geo-locational data, levels of
particulate matter in the air, stock market fluctuations, and so on. Such data collection
rehearses the “virtue” espoused by Bogost: “the abandonment of anthropocentric
narrative coherence in favor of worldly detail.” And, of course, experiencing
this data flow becomes, necessarily, the job of various kinds of high-tech
objects. Perhaps this is the appeal of Bogost’s theory in the digital era: the
celebration of the very forms of post-human experience that characterize
automated data collection (and the simultaneous de-valuation of narrowly human
experiential and narrative alternatives).
Suggestive in this regard is Bogost’s explicit
rejection of the pursuit of knowledge as “metaphysically undesirable” because
it violates the adherence to “A fundamental separation between objects…the
irreconcilable separation between all objects, chasms we have no desire or hope
of bridging – not by way of philosophy, not through theism, not thanks to
science.” With a tweak to include information about things as well as humans,
this formulation readily recalls Chris Anderson’s manifesto on “the end of
theory” in the big database era: “Out with every theory of human behavior, from
linguistics to sociology. Forget taxonomy, ontology, and psychology. Who knows
why people [and things] do what they do? The point is they do it, and we can
track and measure it with unprecedented fidelity.”
Of course, “we” are not
really doing the tracking here but are offloading it onto machines that do the
work for us, offering up their experience of the endless litanies of
information captured by a proliferating array of sensors. We might describe
this reliance on the prosthetic extension of sensing -- combined with its
offloading onto the sensor array -- as a process of dronification: we oversee
seemingly endless databases of information collected by remote sensing devices
about everything from the online activity of consumers, to tweets, volcanic
activity, carbon monoxide levels, ocean currents, subway locations, factory
emissions, sales records, and on and on. The experience of our sensors can be
summed up in terms of Bogost’s broadened definition: “The experience of things
can be characterized only by tracing the exhaust of their effects on the
surrounding world.” Such a formulation has been explicitly embraced by the data
mining world in the term “data exhaust” – which does the added work of treating
data as something cast off, an almost passive byproduct (but something that can
be captured and recycled by those with the resources).
Bogost goes on to
suggest that the tracings of thing-exhaust can serve as the basis for
speculation, “about the coupling between that black noise and the experiences
internal to an object.” This is the part that is lopped off by Anderson’s
formulation, which in its fascination with instrumental efficacy has little
interest in such speculations. Rather the interest in capturing all available
data embraces what Bogost describes as “a general inscriptive strategy, one
that uncovers the repleteness of units and their interobjectivity.” He calls
this process one of ontography: the writing of being, which “involves the
revelation of object relationships without necessarily offering clarifying
description of any kind.” Isn’t this the logic of big data mining, which
unearths patterns of relationship without explanation?
Clearly, Bogost would differentiate his goal
of pure philosophical reflection from those of data mining, insofar as the
latter (as outlined by Anderson) are crassly correlationist since the generated
patterns are only of interest to the extent that they serve human interests
(epidemiology, earthquake modeling, threat detection, marketing, etc.). And
yet, the form of “knowledge” on offer, reduced to an object-agnostic tracing of
the impact of objects “on the surrounding ether” models the “knowledge”
generated by the database. Indeed, if we could imagine a data mining operation
devoted to simply generating patterns independent of their utility to humans,
we would come quite close to the process of ontography described by Bogost. He
calls it alien experience, but given the ongoing development of new forms of
object sensors (which preoccupy Bogost in his discussion of digital
photography), we might call it simply drone experience.
One
of the more baffling – and perhaps telling – moments in the book is Bogost’s
diatribe against academic writing. In tone, his critique takes the familiar form
of charges against pedantry, obscure writing, and, predictably, a cloistered
reluctance to pry one’s head out of the books and “visit the great outdoors”
(that again!). Academics, he tells us, are relentlessly crappy writers who,
even in public, insist on, “reading esoteric and inscrutable prose aloud before
an audience struggling to follow, heads in hands.” He implicitly embraces the
ready rejoinder that such critiques rehearse a familiar and fatigued set of
clichés with the observation that, “Clichés also bear truth, after all.” Fair
enough, but not ones that are interesting enough to warrant a multi-page
chapter introduction.
Things
start to get a bit dicier when he proposes his alternative: we need to start
relating to the world not only through language, but through the things that we
make, through our practice in the
world (as if language, writing, etc. are not really real practices): “If a
physician is someone who practices medicine, perhaps a metaphysician ought to
be someone who practices ontology.” Academics he suggests in a distant echo of
Thesis Eleven, spend too much time writing, and not enough time doing. He notes in passing that it seems
“ironic” to even suggest such a thing in a book (rather than simply doing it,
perhaps). We might take this as a call for diversity – let’s not limit
ourselves to just one mode of object production (books); rather let’s make
other kinds of objects (computer programs, motorcycles, maybe even some sturdy
walnut shelves for all those books).
But
the argument does not stop at the call for diversity – it actively disparages
writing (as a form of doing that doesn’t quite count as one) by comparison with
other forms of doing. At this point a somewhat confounding binarism slips into
the argument. Why might it be “ironic” to advocate the making of things in a book? Isn’t making a book just as much a form of doing as other
forms of doing? For Bogost, a book (or at least its ideational content – as
opposed to, say, its binding) turns out not really to be a thing in the way that other things (tables, motorcycles, computer
programs, unicorns?) are. Why not? According to Bogost, “carpentry” (by which
he apparently means making something out of anything other than words), “might
offer a more rigorous kind of philosophical creativity, precisely because it
rejects the correlationist agenda by definition, refusing to address only the
human reader’s ability to pass eyeballs over words and intellect over notions
they contain.”
Unlike
really thingy things, moreover,
“philosophical works generally do not perpetrate their philosophical positions
through their forms as books” (that is, their more material attributes: page
texture, shape, binding glue, etc. For a book to really perpetrate its position
this way, you’d have to be literally struck by it). By contrast the maker of material
things (like software?), “must contend with the material resistance of his or
her chosen form, making the object itself become the philosophy.” We might
describe this set of oppositions as “the separate but equal” clause of Bogost’s
book. He puts it this way, “all things equally exist, yet they do not
exist equally,” by which he means, from what I can gather, that although things
do not exist in precisely the same way, one group cannot be privileged over
another – or, more specifically, human beings ought not to be privileged over
other entities from a philosophical perspective, and vice versa.
And
yet, why are those beings called books less
“philosophical” in their construction than objects (like bookshelves and
computer applications) crafted by philosophical “carpenters”? What makes the “immaterial”
object less philosophical than the material? It is hard to extract any answer
from Bogost’s argument other than that ideas are less philosophical than things
precisely because their significance emerges through their relationship to
humans (whereas material things relate not just to humans but to other things
as well). In other words, humans are less equal than other things from a philosophical perspective,
because their form of relating (as opposed to that between, say a stone and a
stream) invokes a particular relation in which the mental capacity of humans is
involved.
Perhaps
the thrust of the argument here is corrective: we spend too much time thinking
of beings for humans and not enough considering the ways in which beings of all kinds exist for one another. But
the substance outstrips the tone of the argument, suggesting that as soon as
humans enter the equation in their ideational (as opposed to material) form of
relating, a relationship becomes necessarily less philosophical. Software (Bogost’s chosen form of “carpentry”)
escapes the fate of writing because it is more “material” – that is, there is
apparently more resistance in the symbolic substrate of machine language than
that of human language. As in the case of, say, truing a bike wheel, or
building a bridge, it is harder to make things work at a basic level when
writing code than when writing theory. And yet, Bogost’s own book provides a
compelling example of how, even in the realm of ideas (as in that of more
material things), “simply getting something to work at the most basic level is
nearly impossible.” It turns out that arguments and words can be just as
recalcitrant as more material things.
If in Bogost's account, human cognitive experience gets devalued vis-à-vis that associated with the
objects of “carpentry” – philosophers’ products come in for a special degree of
scorn: “For too long, philosophers have spun waste like a goldfish’s sphincter,
rather than spinning yarn like a charka.”
Crap, it turns out, is less equal
than yarn in the court of flat ontology, although this valuation reeks of an allegedly
surpassed anthropocentrism: by what measure other than some presumably
surpassed correlationism is yarn more desirable as a product than goldfish
waste? What does that comparison even mean from the viewpoint of flat ontology
– is there a ready-made imperative that differentiates spinning yarn from
spouting crap? If Bogost imagines he’s doing the latter when he writes books it
would have helped to warn the reader at the outset.